This’ll be a short post—so if you like, you can imagine a Marvin Gaye song playing in the background to fancy things up.
I’ve been a quiet blogger lately, and that’ll continue through May. I’ve got some big workwork projects to complete before the end of the month, and the authoritah of the deadline must be respected.
But! I’m also working my way through the page proofs for SEASON FOR SURRENDER. This is a final check of the typesetting, formatting, and text before the finished book is created.
What’s particularly exciting about the page proofs? They’re used to create advanced reader copies, or ARCs, of a book. I think I’ll be getting some ARCs of SEASON FOR SURRENDER—and if I do, they’ll be here in about six weeks. Six weeks, folks. Maybe even less.
We’ll definitely have a giveaway. I’ll put up an excerpt then, too.
And speaking of giveaways—be sure to stop by this month’s contest! Sally MacKenzie’s upcoming novel, BEDDING LORD NED, is already getting great reviews, and you can enter here for a chance to win a signed copy. To learn more about the book, and about Sally’s new series, check out our Q&A here. (I still laugh every time I read Sally’s answer to the matchmaking question.)
You’ve heard Sally MacKenzie’s name before, maybe as:
The premise of your new series is unique: Venus Collingswood, the young woman who’s the heroine of the first novella—“The Duchess of Love”—becomes the matriarch for the rest of the series. We don’t often see parents getting their own romance, even at an earlier point in life. How did you come up with Venus and Andrew’s story?
The covers for “The Duchess of Love” and Bedding Lord Ned both include a pet animal. What sort of role do pets play in the stories?
So are we featuring one author this month, or two? The answer is: yes.


One thing your historicals and romantic suspense have in common? Heroes with unusual professions. Your latest Vanessa Kelly novel, 
The first thing you should know about Elise Rome is that you probably already know her. As Ashley March, she has published two historical romances: books with such lush, delicious prose that they ought to be eaten up with a spoon.
Your first two books, written as Ashley March (SEDUCING THE DUCHESS and ROMANCING THE COUNTESS) deal with the fallout from troubled marriages. What drew you to this type of story and characters?
The heroine of your upcoming Victorian novella, “The Sinning Hour,” holds down a position as maid and also cares for an ill relative. In honor of that heroine, Miranda—what’s the most difficult job you’ve ever had?